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Objects found: 1
Person/InstitutionGiovanni Battista Piranesi (1720-1778)x
Time1764-1765x
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Sog. Tempio della Salute (Grabmal an der Via Appia)

Winckelmann-Museum Stendal Piranesi Europäische Stadt- und Landschaftsansichten Antikenansichten und antike Topographie in Grafik und Zeichnungen [WM-VI-b-c-329]
Sog. Tempio della Salute (Grabmal an der Via Appia) (Winckelmann-Museum Stendal CC BY-NC-SA)
Provenance/Rights: Winckelmann-Museum Stendal (CC BY-NC-SA)
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Description

Bezeichnet: TEMPIO ANTICO VOLGARMENTE DETTO DELLA SALUTE. su la via d’Albano, cinque miglia lontan da Roma.L’opera con tutt’i suoi ornamenti è di terra cotta, e’l capitello A è composito a differenza di tt.i gli altri.
u.l.: Piranesi F.

Beschreibung: Wasserzeichen: Französische Lilie (Hind 3)

Publiziert: 1. Pariser Ausgabe 1800-1807

Material/Technique

Radierung

Measurements

Platte: 41,2 x 55,7 cm

Literature

  • Focillon, Henri (1918): Giovanni-Battista Piranesi. Essai de Catalogue Raisonné de son Oeuvre. Paris, Nr. 776
  • Hind, Arthur M. (1922): Giovanni Battista Piranesi. A critical Study. With a List of his Published Works and Detailed Catalogues of the Prisons an the View of Rome. London, Nr. 74/II
  • Höper, Corinna (1999): Giovanni Battista Piranesi. Die poetische Wahrheit. Radierungen. Ausstellungs- und Bestandskatalog der Staatsgalerie Stuttgart. Stuttgart, Nr. 14.71
  • Robison, Andrew (1970): The &quot;Vedute di Roma&quot; of Giovanni Battista Piranesi: Notes towards a revision of Hind´s catalogue. In: Nouvelles de l‘Estampe 4, 1970, S. 180-198, S. 195
  • Wilton-Ely, John (1994): Giovanni Battista Piranesi. The complete etchings. San Francisco, Nr. 204
  • [Piranesi, Jean-Baptiste und Francois] (1792): Oeuvres des Chevaliers Jean-Baptiste et Francois Piranesi qu‘on vend séparément dans la Calcographie des auteurs, Rue Felice, près de la Trinité de Monts. Rom, Nr. 65
Winckelmann-Museum Stendal

Object from: Winckelmann-Museum Stendal

Das Winckelmann-Museum befindet sich an der Stelle des Geburtshauses von Johann Joachim Winckelmann (1717-1768). Die ständige Ausstellung widmet sich...

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